Thursday, October 30, 2014

Lana's Lakota Moons by Virginia Driving Hawk Sneve



 

BIBLIOGRAPHY

Sneeve, Virginia Driving Hawk.  2007. LANA'S LAKOTA MOONS. Lincoln:  University of Nebraska.  ISBN 9780803260283

PLOT SUMMARY

Lakota tribe cousins, Lori, a shy and quiet young girl, and Lana, an adventurous risk-taker, grow up within the strong community network of their family and tribal members in South Dakota.  Although both girls are very competitive with one another, and are constantly bickering and fighting, their love and loyalty for one another is seen in the everyday acts such as gardening, watching television, and attending powwows.  As the story progresses, a young girl named Shoua moves to their community and immediately strikes up a friendship with both Lakota cousins.  Together, all three learn more about  Lakota traditions and culture from tribal members and the community.

CRITICAL ANALYSIS

As young readers turn the pages of LANA'S LAKOTA MOONS, they are introduced to the American Indian traditions of the Lakota Nation.  Set in a contemporary setting in South Dakota, Sneve heavily references many Lakota traditions and customs throughout the entire book.  The book twelve chapters reflect the twelve months of the year.  However, chapter titles correspond to the Lakota names given for each of the months.  For example, readers learn that the Lakota ancestors January is called "Moon of the Terrible" because "of the terrible cold that caused so many deaths"  while March is called "Moon When the Frost Covers the Prairie Chicken's Eyes" since " the weather gets warm, then gets cold again, and the poor prairie chickens wake up with frost on their eyelids."  Not only do these details pay homage to Lakota ancestry, but also emphasizes how they relied on nature and the phases of the moon to tell the seasons and months apart.  This is confirmed with the girls' grandmother tells them that since" the phases of the moon lasted for several days, it is sort of what is now known  as a month."

Sneve also includes authentic Lakota names with her characters.  Lori and Lana's grandparents are known as Grandma and Grandpa High Elk; Lana's boy friend is named Andy Brown Wolf; and the name of the holy man conducting a Lakota ceremony is Iron Shell.  In addition to using authentic Lakota names, Sneve characters also use terms and phrases from the culture.  For example, readers learn that pilamiye means thank you; Wicasa Wakan is the term used to refer to the holy man who will conduct a Lakota ceremony; and that wojoape is the chokecherry pudding dessert.  The attire and clothing Lakota ancestors wore is also included in the story.  Young readers learn that when the Lakota tribe moved between reservations, the "white ladies" taught Lakota women how to sew cloth into shirts and dresses, so there was no longer a need for Lakota members to use buckskin or animal hide to make their clothes.  

References are also made to Lakota folklore as well as traditions tribal members observe.  For example, Grandpa High Elk tells Lori and Lana about the mythical character, Iktomi.  This character from Lakota stories is described as a practical joke, who "tricked animals and people into doing things he wanted, but then he'd end up in trouble.  Yet he never learned."  Sneve also spends much of the story having Lana and Lori learn about a right-of-passage ceremony they will participate in known as the Naming Ceremony.  Grandma High Elk tells the two cousins they will receive new Lakota names to honor their ancestral roots and finally recognize them as women members of the tribe.  Lori is given the name Pejuta Okawin while cousin Lana is given Skanskanwin; both girls ask for the blessing of their Lakota community to bring honor to their family members.  The detailed description given by both girls' grandparents allow young readers to understand the significance of the ceremony as well as imagine the sights and sounds occurring as the girls step into womanhood.

The motif of four is also used in the story to mirror the Four Directions as well as the four seasons.    As Lori and Lana prepare for their naming ceremony, they work with Grandma High Elk to create quilts they will use to present to Lakota community members.  In great detail, she tells the young girls that yellow is used in quilts to represent the East: "The East represents birth and children who are just beginning to learn to live in the circle" of life. Red is the color for the South because "this direction stands for midday, noontime, and for adults who are in the prime of their life in the circle."  The North is symbolized with the white color, not only because of the winter season, but also to symbolize the "hardships that endured" during the winter months.  Finally, black is the color of the west; "Autumn is its season" and it is the "time when the leaves on the trees and other plants die and when people die of old age."  These detailed descriptions help students make connections with the four seasons of the year and the various stages of life all humans go through. 

Although this story does provide very accurate and thoroughly described cultural markers, the storyline is weak.  It seems the characters are not well-developed because Sneve has spent much time focusing on describing Lakota traditions to young readers.  Although this is an admirable goal, many of the characters lack depth and development which may not help students identify with the story's main characters.  Also, it seems that Sneve rushed through her story to fit it into the twelve chapters that symbolize the Lakota moons.  Readers may be surprised to learn that within the last three chapters of the story, young Lana is stricken with cancer and receives treatment for it, but loses her battle at the end.  I believe that if Sneve had spend more time developing the emotions and thoughts of these young Lakota members, the story would have an even stronger impact on readers.

REVIEWS AND AWARDS:

BOOKLIST: "The interweaving of traditional culture is sometimes heavy-handed ("We, the Lakota, believe"), but the mix of Great Plains history with the contemporary scene (including occasional e-mails) rings true... Lori's lively personal narrative will draw readers as she copes with anger, guilt, sorrow, and, finally, the loss of her sister, even as she realizes that, in the Lakota way, the girls will always be connected."

CHILDREN'S LITERATURE: "Sneve, author of two previous books about the Lakota for young readers, weaves Lakota lore into a completely contemporary coming-of-age story. Though there are a few places where the character development seems a little weak, the language remains vivid and poetic. By the end of the story we have learned a great about Lakota culture and have come to like Lori and her extended family a great deal."

FOREWORD REVIEWS: " Sneve has created a story that is both a tribute to her heritage and a poignant chronicle of the end of adolescent innocence."

CONNECTIONS

Have students read books that specialize in the Lakota Indians to learn about culture and traditions:

Goble, Paul.  BEYOND THE RIDGE.  ISBN 0689717318
Goble, Paul.  LOVE FLUTE.  ISBN 0689816839
Big Crow, Moses Nelson.  HOKSILA AND THE RED BUFFALO.  ISBN  0689432801
Reed, Melissa Ann.  RAVEN BRINGS TO THE PEOPLE ANOTHER GIFT.  ISBN 0689819994

(These titles and more can be found at http://www.lakotabooks.com/children_books.html)



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